Birmingham Museum and Art Gallery
Title: Art Teaching sessionsback

Pattern
During a visit to the museum children are given the opportunity to investigate patterns in textiles, ceramics and architecture from different times and cultures. Children can explore ways of combining and organising shapes, colours and patterns to make a decorative piece of their own.

- Download pupil worksheet (Word 265 KB) or
- Download pupil worksheetAcrobat (73 KB)

Photo of The Industrial Gallery and Round Room

The Industrial Gallery and Round Room
The building itself is a valuble tool in teaching sessions as children can discover pattern in the decorative ironwork, columns, brickwork, tiles and windows all around them.
The Round Room and the Industrial Gallery were opened by the Prince of Wales in 1885.
The Round Room today looks much the same as it would have done then. The paintings are hung closely together. The Industrial Gallery, built of decorative ironwork, was the major exhibition area of the original 1885 building. The items on display were models of good design, intended to inspire Midlands industrial craftsmen.

William De Morgan - Wall tile

William De Morgan, Wall tile (1880's)
Location: Industrial Gallery
William De Morgan was influenced by Islamic pottery lustre decoration, achieving a shimmering effect by adding metal oxides to the ceramic surface before firing. His tiles were earthenware, with the transfer painted over the slip (runny clay). The white slip provided a smooth, brilliant background to the colour on the tiles`

Stained Glass Window, St John the Baptist Stained Glass Window, St John the Baptist
The Industrial Gallery has some impressive stained glass which can be used in the topic of pattern. This example has a clear border, an inner red border with three trefoil shaped leaves springing from a circle painted in yellow and brown on clear glass.
Burne-Jones, a painter of international renown born at Bennett's Hill, Birmingham, and his colleague, Rossetti, designed some of the stained glass here