Birmingham Museum and Art Gallery
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Sculpture
The collection includes British 20th century sculpture, (especially the work of Sir Jacob Epstein). There are good examples of baroque (17th Century) sculpture, and an outstanding collection of Victorian and Edwardian sculpture.

Aimee - Jules Dalou (1838 - 1902) Woman drying her foot,1870's

Aimee - Jules Dalou (1838 - 1902) Woman drying her foot,1870's
Location: Gallery 21
Medium: Bronze
This is one of several studies Dalou made while living in England as a political refugee.
Small scale sculptures of this kind were modelled direct from life. They were part of the new realistic and analytical approach seen in the works of Degas and Rodin.

phot of Grande Arabesque sculpture Various sculptures by Degas and Rodin, Example Grande Arabesque
Location: Gallery 21
Medium: Bronze
This is one of a series of three sculptures of ballet dancers in which Degas shows successive phases of an arabesque. The dancer is posed on one leg with arms extended and the other leg raised. This pose seems to ‘open out’ the sculpture into the surrounding space.The modelling is rough by 19th century standards.
From the mid-1870s, Degas made hundreds of sketches, pastels and oil paintings of the dancers of the Paris Ballet. As his eyesight began to fail towards the end of his life, he turned increasingly to making sculpture instead of painting.
Jill Crowley (b1946) Big Blue Hand 1996 Jill Crowley (b1946) Big Blue Hand 1996
Location: Gallery 10
Medium: Stoneware, handbuilt; incised and painted with coloured slips.
The emergence of modern studio ceramics in Britain dates from early 1900's. This was when the term 'studio potter' was first used to describe makers who took full responsibility for the production of their work, from design to completion.
Germaine Richier (1905 - 1959) La Feuille (The Leaf), 1948 Germaine Richier (1905 - 1959) La Feuille (The Leaf), 1948
Location: Gallery 21
The French sculptress Germaine Richier belonged to a generation of post-war sculptors who did not represent ideally proportioned figures. It was as if the experience of war left artists unable to depict the human body in anything other than partial and fractured form. The leaf-like female figure has the air of a survivor; her sinewy frame suggests the capacity for endurance.
Francois Girardon (1628 - 1715) Louis XIV, King of France and Navarre Francois Girardon (1628 - 1715) Louis XIV, King of France and Navarre
Location: Gallery 23
Medium: Bronze
This is a small version of a famous statue by Girardon, which was destroyed in 1792 during the French Revolution.